MOTION PICTURE ASSOCIATION ACCREDITED OUTLET

By Klep Napier | Wearecritix.com Curry Barker’s Obsession is not interested in making audiences comfortable. From the moment the film begins, there’s an emotional uneasiness quietly hanging over every interaction, every moment of affection, and every seemingly h armless act of attention. What initially presents itself as desire quickly mutates into something darker, more invasive, and deeply suffocating. And honestly, that lingering discomfort becomes the film’s greatest stre

Marvel’s most brutal antihero officially took over New York this week. Jon Bernthal and director/co-writer Reinaldo Marcus Green hosted a special fan screening of Marvel Television’s The Punisher: One Last Kill last night at AMC Lincoln Square Cinemas in New York, celebrating the release of the highly talked-about Disney+ Special Presentation. Alongside the event, Marvel also unveiled a brand-new poster and promotional spot for the project as audiences continue reacting to wh

By Klep Napier | Wearecritix.com There is nothing in the superhero genre right now quite like The Punisher: One Last Kill. Not because it’s simply violent. Plenty of comic book projects have tried leaning harder into brutality over the years. But because this latest Marvel Studios Special Presentation finally understands something essential about Frank Castle that previous adaptations occasionally struggled to fully grasp: The violence only matters if the pain underneath it f

STARZ is stepping back into the world of crime, power, and betrayal this summer with Fightland, the network’s upcoming boxing-centered family crime drama executive produced by Curtis “50 Cent” Jackson. The adrenaline-fueled series officially premieres Friday, July 31, with new episodes streaming weekly across the STARZ app and all STARZ on-demand platforms. Alongside the announcement, the network also released first-look images teasing the gritty underworld and emotionally ch

By Klep Napier | Wearecritix.com Boots Riley doesn’t make films that quietly blend into the background. His stories demand attention. They challenge structure, bend reality, and often force audiences to sit inside worlds that feel simultaneously hilarious, uncomfortable, imaginative, and socially aware. With I Love Boosters, Riley once again doubles down on that signature style, delivering a chaotic fashion-fueled satire that feels as playful as it is provocative. We were luc

By Klep Napier| Wearecritix.com RZA’s One Spoon Of Chocolate is not subtle. It is loud, angry, confrontational, and intentionally designed to provoke a reaction. But beneath all of that rage sits something surprisingly familiar. At its core, the film operates like a classic outsider western fused with old-school martial arts storytelling, the lone drifter entering hostile territory, tensions slowly escalating, and an inevitable collision between opposing forces waiting at the