MOTION PICTURE ASSOCIATION ACCREDITED OUTLET

By Klep Napier | Wearecritix.com Having screened the first seven episodes of The Boys final season, one thing is immediately clear, this is not a victory lap. This is a calculated, blood-soaked march toward the end. Season 5 wastes no time setting the tone, reminding viewers that nothing is sacred and no one is safe. If you thought you had a handle on this world before, think again. These opening episodes do not just raise the stakes, they flip the entire table. From the jump

By Klep Napier | Wearecritix.com There’s a moment in The Drama  where everything shifts, and from that point on, there’s no going back. Not for the characters, and definitely not for the audience. Christopher Boley, best known for Dream Scenario , returns with a film that strips romance down to its most uncomfortable truths. Starring Zendaya and Robert Pattinson, The Drama  presents itself as a love story on the surface, but what unfolds is something far more emotionally comp

By Klep Napier | WeAreCritiX.com It’s time to head back to the Mushroom Kingdom, but the real question is is the magic still there? Following the massive success of 2023’s The Super Mario Bros. Movie , Illumination and Nintendo return with Super Mario Galaxy Movie , bringing back the familiar voices of Chris Pratt, Charlie Day, Anya Taylor-Joy, Keegan-Michael Key, and Jack Black, while introducing newcomers like Donald Glover as Yoshi, Brie Larson as Rosalina, and Benny Safdi

By Klep Napier | Wearecritix.com If They Will Kill You  wasn’t already on your radar, allow our They Will Kill You Review help you out. The latest thriller starring Zazie Beetz is officially in theaters now , and while it may look familiar on the surface, this one brings enough style, chaos, and originality to stand on its own. At first glance, the film feels like it’s pulling from a mix of influences. You’ll catch shades of Kill Bill and Ready or Not almost immediately. But

By Klep Napier | Wearecritix.com Not every film needs a second chance, but sometimes, a sequel is exactly what a story needs to fully come alive. That’s exactly the case with Ready or Not: Here I Come , the follow-up to the 2019 horror hit from directors Matt Bettinelli-Olpin and Tyler Gillett. Picking up immediately after the events of the original, the sequel wastes no time throwing audiences back into its twisted world of deadly games, family traditions, and survival at al

In this Slanted Review, I take a closer look at Amy Wang’s bold and uncomfortable film that challenges audiences to confront identity, acceptance, and the pressure to fit in. By Klep Napier | Wearecritix.com There are films that entertain, films that challenge, and then there are films that intentionally make you uncomfortable so you cannot look away from the conversation they are trying to start. Slanted  firmly plants itself in that third category. Written and directed by A

Every once in a while a film comes along that reminds you why the action genre still works when it commits fully to the mission. Director Patrick Hughes’ War Machine is exactly that kind of movie. Starring Alan Ritchson in a commanding lead role, the film feels like a gritty collision between Predator and War of the Worlds. What starts as a grounded story about redemption quickly transforms into a full scale fight for survival against an unstoppable extraterrestrial force. It

A Charming Adventure That Struggles to Earn Its Message By Klep Napier | WeAreCritiX.com Pixar has spent decades building a reputation for stories that manage to entertain younger audiences while delivering meaningful emotional lessons along the way. Films like Inside Out , Up , and Wall-E  succeed because their characters grow in ways that feel honest and earned. However, in my Pixar Hoppers review, I'll breakdown how the balance sometimes never quite comes together. On the

Undertone Review (2026) | A24’s Creepy Audio Horror Film