MOTION PICTURE ASSOCIATION ACCREDITED OUTLET

By Klep Napier | Wearecritix.com Star Wars is finally back where it belongs. On the big screen. And honestly, The Mandalorian and Grogu feels less concerned with rebuilding complicated mythology and more interested in reminding audiences why they fell in love with adventure storytelling in the first place. That distinction matters. Because in an era where blockbuster franchises often feel weighed down by lore, continuity debates, and endless Easter egg obsession, Jon Favreau

By Klep Napier | Wearecritix.com Curry Barker’s Obsession is not interested in making audiences comfortable. From the moment the film begins, there’s an emotional uneasiness quietly hanging over every interaction, every moment of affection, and every seemingly h armless act of attention. What initially presents itself as desire quickly mutates into something darker, more invasive, and deeply suffocating. And honestly, that lingering discomfort becomes the film’s greatest stre

By Klep Napier | Wearecritix.com Boots Riley doesn’t make films that quietly blend into the background. His stories demand attention. They challenge structure, bend reality, and often force audiences to sit inside worlds that feel simultaneously hilarious, uncomfortable, imaginative, and socially aware. With I Love Boosters, Riley once again doubles down on that signature style, delivering a chaotic fashion-fueled satire that feels as playful as it is provocative. We were luc

By Klep Napier | Wearecritix.com Some films entertain you. Others challenge you. Olivia Wilde’s The Invite does both while dragging you through every uncomfortable emotional corner it can find. We were able to catch the film during this year’s IFFBoston: Independent Film Festival Boston, and from the moment it begins, The Invite makes one thing very clear: this is not interested in easy conversations or clean emotional resolutions. Instead, Wilde delivers a messy, intimate, a

By Klep Napier | Wearecritix.com Not every film needs a second chance, but sometimes, a sequel is exactly what a story needs to fully come alive. That’s exactly the case with Ready or Not: Here I Come , the follow-up to the 2019 horror hit from directors Matt Bettinelli-Olpin and Tyler Gillett. Picking up immediately after the events of the original, the sequel wastes no time throwing audiences back into its twisted world of deadly games, family traditions, and survival at al

A Charming Adventure That Struggles to Earn Its Message By Klep Napier | WeAreCritiX.com Pixar has spent decades building a reputation for stories that manage to entertain younger audiences while delivering meaningful emotional lessons along the way. Films like Inside Out , Up , and Wall-E succeed because their characters grow in ways that feel honest and earned. However, in my Pixar Hoppers review, I'll breakdown how the balance sometimes never quite comes together. On the

Film: More Than Miyagi: The Pat Morita Story Starring: Pat Morita, Various Stars Director: Kevin Derek Streaming: Apple TV Review: Klep...